It's a big news day here in Akron, OH, as Black Lawrence Press announced that it has acquired my first collection of prose poems, Partial Genius. This is my seventh full-length book of poems, and my sixth book with BLP, and I am absolutely thrilled. Here's what I had to say about writing this book, which is due out in summer of 2019. A million thanks to BLP, to my friends and students, and to the editors who have published these poems in journals. 

On writing Partial Genius

When writing the chapbook Saint Monica, which became my first collection with Black Lawrence Press, I stumbled upon a form that felt both compelling and expansive. The prose poem in five stanzagraphs made its first appearance with “Saint Monica Composes a Five Paragraph Essay on Girard’s Theory of Triangular Desire.” I wrote this piece with the well-worn essay format in mind as a gimmick, but ultimately felt that each discrete prose chunk forged its own identity while striving to, as they say in composition class, provide support for the thesis. I decided to return to this form with Partial Genius and to create a series of these poems that align and overlap to illustrate the experiences of one central speaker.
The poems of Partial Genius build upon the form in a collective narrative arc, working in unison to craft a larger story where plot points shift via juxtaposition and association. Thematically, this book is post-youth, post-love, mid-epiphany. What do you do when you finally realize that you are really good, but only at unremarkable things? What value does memory hold when weighed against other heavier commodities such as money and time and conventional beauty? Partial Genius ponders the years spent waiting for reconciliation of past wrongs, the ownership of former selves, and the desire to truly fit into one landscape or another.